radfrac_archive_full (
radfrac_archive_full) wrote2006-05-11 10:08 pm
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starter poetry
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I wonder if this phenomenon has the same wellspring as gratuitous rhyming in poetry in general, if we consider spells a special form of poetry, or alternatively, poetry a generalized form of spellcasting?
There's a form I think of as the 'starter poet' structure. Think of a funnel. It begins with long, liberating, casting-off-convention free-verse lines, which acquire rhyme about halfway down an 8-1/2 x 11 page, then gradually contract into a tighter and tighter rhyme scheme until every word rhymes with the next, which is how you know the poem is done.
For example:
This is not actually a poem I wrote when I was seventeen, but it certainly could have been:
And they're killing the trees and the oceans and our children
And we all sit there like mice and don't make a sound
because we're too complacent
and we like our comfortable little lives
like bees swarming around in their hives [Say! Rhyme!]
we know what we have to do
I know it and so do you [I like it!]
take action now
you know how [Natural! Instinctive!]
change you've got to make [Little archaic reversal there--]
or you'll take [--it's artistic!]
your last breath
in stress [Slant rhyme! Can't cage me!]
and death
death
death
And like that.
When I was this seventeenish person, I noticed the above form in my poems and thought, "Aha, perhaps this is my Unique Style." In the many years since then, I have noticed perhaps a thousand other poets/spoken word artists with the same Unique Style. It crept on me gradually that perhaps it was not so easy to find a poetic form that served my expressive needs. Which are... voracious. Explosive? Oh, anyway.
There must be a reason it shows up. Maybe it's a protostyle: what you do on your way to getting a grip on form.
I have Spellcraft somewhere, but most magical language I've come across was in the form of ritual song. When I've, you know, Cast Stuff, it was usually more incantatory than rhymed.
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